I know, say via Park (Mexico, 2008) follows the stylistic Reygadas, as assessment is, by now a cliché. But either way, I assume no remorse cliché use that line as a style, that of Reygadas, at this point, so is. Hence the film has me Enrique Rivero predictable result: it seems designed, written and directed, following to the letter the manual, because it seems that he had "proposed, separate formal platitudes (non-professional actors, synthetic rate, long shots, little dialogue, many time-outs, etc..) minimalism bet that leads to a climax abrupt abruption but here works better than films Amat Escalante. via Park has seams that are struggling to get noticed (you know: the movie by calling attention to their own style) and a scheme that tells us where it is headed, but is favored by the strong construction of a beloved character and his strange addiction to incarceration, and development of a simple linear story that allowing the use of aggression to the viewer is not merely provocative, is to make way for a very peculiar, logical, consistent and forceful happy end, as few, very black humor.
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