As things first: the only explanation that Shutter Island (EU, 2010) abuse of a score emphatic on the verge of a parody of film noir series B, to seek some Kafkaesque atmosphere based on obvious symbolism about madness and take a medium development unabashedly bizarre (the plot that flirts with madness and paranoia, Nazism overshadowing, psychiatrists with more than one suspect in tow, secret scientific experiments, a prison, mental hospital in each corner suggests mysteries, and what you like to add). Suddenly, it gives the feeling that Scorsese has curly lock of pastiche calculated to gloat over the surface reminiscent of a classic film with a plot that does not stop blinking.
As second: hard to do, because Shutter Island, Though technically irreproachable, photographically impeccable, environmentally sound, is the typical movie that advocates a surprise ending that comes to resemantizing all that the script has to carefully and slyly put before our eyes. An ending that is not so surprising because since the arrival of that same pair of detectives (Ruffalo and DiCaprio) to the island madhouse and the whole thing starts to guess. And is that the predictability of the case, because I personally was predictable, contributing resources as apparent Mannerist style exercise features, sabotaging any hint of a revelation.
way: who remembers this master piece eighty pure and simple camp where Lucia Mendez, within their histrionic skills (which were few). the detective did, came to a mental hospital to solve a mystery y. ..? Well, for some strange perversion that I remembered.
