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again count the damage. The following is a list of the best movies I saw in the year just ended, and not, as one might think, the best of the year so to dry. Unfortunately for reasons to explain it here would be very out of place, I could see all the films I had and wanted to see but I hope this can get even 2011. addition, as always, what came to our cinemas was very little (and I mean the truly interesting) and how little most one or two years late. But hey ...

in strict order of importance as follows.

Hunger (Hunger, Ireland, 2008), Steve McQueen

internal enemy (Bad Lieutenant: Port of call New Orleans, USA, 2009), Werner Herzog

The Ghost Writer (The ghost writer, England 2010), Roman Polanski

long ago that I love (Il ya longtemps que je t'aime, France, 2008), Philippe Claudel

The road (The road, U.S., 2009), by John Hillcoat

Children (The Children, UK, 2008), Tom Shankland

The Silence of Lorna (Le silence de Lorna, Belgium, 2008), Los Hermanos Dardenne

The Hurt (The Hurt Locker, USA, 2008), by Kathryn Bigelow

Camino (Spain, 2008), Javier Fesser

Toy Story 3 (EU, 2010), Lee Unkrich

The overvalued:

Precious

Biutiful

The origin

Shutter Island

(Joseph Abril)

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Piranhas

Perhaps the only positive of a bad movie made by a director who has been raising expectations, is that your next bet can be seen as a masterpiece. By comparison and contrast. Aja Alexadre speak French and her latest Piranha (EU, 2010) which is neither a masterpiece nor reinvented for nothing but his former side and very disappointing Mirrors (EU, 2008) reaches dimensions worthy This emphasis.

is a remake (seems to Axa, for better or for worse, is working on it) of the classic movie seventies horror film and a half trashero parody Joe Dante signed immediately as gold standard Spielberg's Jaws . A re-check that little bit more than the original more than wet T-shirt and willingness to tanorexia, a self-consciously cynical exploitation product that basks in its status and development (beyond - or closer, almost nonexistent a dramatic progression / narrative), by exercising cumulative visceral gags courtesy of legendary craftsman gore makeup hyper and therefore unlikely bordering on Nicotero, an argument of ironic double standard: conservative fable provided to broach a moral prescription of the family, the temptations and vices, we first unwrapped hyper attests an orgy of carnage and hemoglobin. Piranhas perform the same function as the Gremlins (EU, 1984) also Dante's own: go to stop right in the moment of ecstasy holiday (Christmas in the case of Dante, springbreackero in the case of Aja) to transform in chaos and tragedy on a large scale, in this case in a delirious version deformadísima-if you can more-and all too bad milk of any media product irritating to Wild On.

Imperfecta yes, very imperfect, but Piranha as an antidote to the smug vampire adventures of chastity so dominant in recent horror film, something of perfection is found.

(Joseph Abril)